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EDITION: INTERNATIONALU.S.MÉXICOARABICTV: CNNiCNN en EspañolSet edition preferenceSign upLog in//Event.observe(window, 'load', function() {//$('hdr-search-box').focus();//});#hdr-editions a { text-decoration:none; }#cnn_hdr-editionS { text-align:left;clear:both; }#cnn_hdr-editionS a { text-decoration:none;font-size:10px;top:7px;line-height:12px;font-weight:bold; }#hdr-prompt-text b { display:inline-block;margin:0 0 0 20px; }#hdr-editions li { padding:0 10px; }#hdr-editions ul li.no-pad-left span { font-size:12px; }.hdr-arrow-intl, .hdr-arrow-us, .hdr-arrow-us2 { left:148px; }.hdr-arrow-us2 { left:180px; }HomeVideoWorldU.S.AfricaAsiaEuropeLatin AmericaMiddle EastMoney
World SportEntertainmentTechTraveliReport/* STORY PAGE SPECIFIC CSS */.cnn_stryspccvrgehdr { background:#fff url('http://i.cdn.turner.com/cnn/.e/img/3.0/mosaic/bg_speccov_hdr.gif') 0px 0px repeat-x; }.cnn_stryspcvh1 { position:relative; height:74px;background:transparent url('http://i.cdn.turner.com/cnn/.element/ssi/story/3.0/banner/intl.ontheroad.japan.inc/ontheroad.japan.jpg') 50% -1px no-repeat;overflow:hidden; }.cnn_stryspcvh2 { font:bold 10px/12px arial;color:#666;padding:0 0 2px 0; }.cnn_stryspcvh3 { font-family:arial, helvetica, sans-serif; font-weight:bold; font-size:18px; line-height:21px; }.cnn_stryspcvh4 { position:absolute; z-index:1000; float:left;margin:30px 0 0 10px;display:inline; }.cnn_stryspcvh5 { float:right;margin:30px 10px 0 0;display:inline;text-align:right; }.cnn_stryspcvh20 { padding:0 0 2px 0; }.cnn_stryspccvrgebot { height:3px; background:#e6e6e6; }.cnn_stryspccvh6 { width:100%; height:74px; text-align:center; left:0; }.cnn_stryspccvh6 a { display:block; margin:0 auto; width:451px; height:74px; } Part of complete coverage onOn The Road: JapanSHARE THISPrintEmailMore sharingRedditStumbleUponDelicious/* push in config for this share instance */cnn_shareconfig.push({"id" : "cnn_sharebar1","url" : "http://www.cnn.com/2014/11/26/travel/japan-as-youve-never-seen-it-before-asako-narahashi-photography/index.html","title" : "Japan as you\'ve never seen it before"});Japan as you've never seen it beforeBy Dean Irvine, CNNNovember 27, 2014 -- Updated 0232 GMT (1032 HKT)window.CNN = window.CNN || {};(function setupContentMeta(ns) {ns.ContentMetadata = ns.ContentMetadata || {};ns.ContentMetadata.pageTopGallery = {};}(CNN));if (typeof cnnArticleGallery=="undefined"){var cnnArticleGallery={};if(typeof cnnArticleGallery.currentImageList=="undefined"){cnnArticleGallery.currentImageList=[];}}var expGalleryPT00=new ArticleExpandableGallery();expGalleryPT00.setImageCount(9);expGalleryPT00.setAdsRefreshCount(3);//cnn_adbptrackpgalimg("Asako Narahashi\'s \"Ever After\"", 1);.cnn_html_slideshow_metadata > .cnn_html_media_utility::before{color:red;content:'>>';font-size:9px;line-height:12px;padding-right:1px}.cnnstrylccimg640{margin:0 27px 14px 0}.captionText{filter:alpha(opacity=100);opacity:1}.cnn_html_slideshow_media_caption a,.cnn_html_slideshow_media_caption a:visited,.cnn_html_slideshow_media_caption a:link,.captionText a,.captionText a:visited,.captiontext a:link{color:#004276;outline:medium none}.cnnVerticalGalleryPhoto{margin:0 auto;padding-right:68px;width:270px}
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Shimabara, 2011cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":8,"title":"Asako Narahashi\'s \"Ever After\""}
Katata, 2005cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":9,"title":"Asako Narahashi\'s \"Ever After\""}HIDE CAPTIONAsako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"Asako Narahashi's "Ever After"<<<
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9>>>Event.observe(window,'load',function(){if(typeof(cnn_adbptrackpgalimg) == 'function' && typeof(cnnArticleGallery) != 'undefined'){cnn_adbptrackpgalimg(cnnArticleGallery.currentImageList[0].image,"Japan as you've never seen it before");}});STORY HIGHLIGHTSPhotographer Asako Narahashi has taken a series of photos showing water and landEvocative images taken over a period of years at various locations across JapanAfter the 2011 tsunami she questioned whether she could continue taking those photosEditor's note: CNN's On the Road series brings you a greater insight into the customs and culture of countries across the world. Until mid-December CNN International explores the places, people and passions unique to Japan. Read CNN's special reports policy.(CNN) -- Evocative, unusual and perhaps a little disquieting, Asako Narahashi's photos of Japan can inspire a variety of reactions.
From coasts to rivers and lakesides, her seemingly semi-submerged photographs frame water and land as if taken by a castaway catching sight of shore, presenting a unique perspective of the country.Since 2001 Narahashi has been using an all-weather film camera to take the series of photos that were first grouped under the title "Half Awake and Half Asleep in the Water."
Using an all-weather film camera she has traveled across Japan in all seasons, wearing a bathing suit in summer or fishing waders in winter months, and sometime taking to a boat or canoe to capture the shots.
When I first started shooting this series, I imagined shooting all the way around Japan from the sea.
Asako Narahashi"After much trial and error, I realized that it was better to give a sense of the water in the foreground, and gradually I took more photographs positioned as though the lens was put partially in the water," Narahashi told CNN via email.
"When I first started shooting this series, I imagined shooting all the way around Japan from the sea. But as I progressed, I felt this framework is not necessary for me, so I shoot both in Japan and other places."
Her latest book "Ever After" is a continuation of that first series and saw travel across the world shooting in new locations. But her singular views of Japan are perhaps the most captivating.
Kannawa, 2011. © Asako Narahashi / Courtesy of OsirisThe commingling of the natural and the man-made is a consistent theme for Narahashi."(In Japan) nature exists within reach of people," she said. "You'll find old and new buildings or billboards and other artificial things randomly mixed along with nature. The natural and man-made are constructing landscapes while permeating each other."
But as the tsunami of 2011 illustrated to devastating effect, the natural and human worlds do not exist in harmony. The catastrophe also had a significant impact on Narahashi and her photography.
"After seeing the images of the 3/11 tsunami, knowing the scope of the disaster, it was a time when I questioned whether I could continue to shoot in the same manner as before," she said.
"Since I began the series I had been thinking that both 'fear' and 'consolation' are in my photographs in the state of being suspended in mid-air, unable to go up or down. But after 3/11, I felt like the pendulum had swung to the 'fear' side.
"The only answer I could find was to continue to take photographs. In last few years, I'm continuing to shoot in the sea but I have more occasions to shoot in rivers and lakes in (the) last few years than before."
CNN's On the Road series often carries sponsorship originating from the countries we profile. However CNN retains full editorial control over all of its reports. Read the policy.
.cnn_strycrcntrnwsp .cnn_mtpmore { padding:10px 0px 1px 0px; }.cnn_stryccnwsp2 .cnn_stryccnwsp3 { width:100% }Most PopularToday's five most popular storiesLife inside the densest place on earth: Remembering Kowloon Walled CityNorth Korea's Internet still spotty2015: The year ahead in aviationLeading Women's most inspiring women of 2014 10 of the best safaris for 2015
.OB_SB_1, .OB_SB_2 { padding:0px; }#outbrain_container_1_stripBox .strip-like, #outbrain_container_2_stripBox .strip-like { font-size:18px; }#ob_strip_container_rel_1_stripBox { }#ob_strip_container_rel_1_stripBox .item-container, #ob_strip_container_rel_2_stripBox .item-container { padding-top:8px;border-top:1px solid #E5E5E5; }.ob_box_cont ul li { display:block; height:60px; list-style-type:none; padding-top:8px; padding-bottom:7px; position:relative; width:100%; border-top:1px solid #E5E5E5}.ob_box_cont ul li .ob-rec-link-img {float:left;}.ob_box_cont ul li .ob-rec-link-img a {display: block; float: left; height: 50px; padding: 3px; position: relative; width: 90px;}.ob_box_cont ul li .ob-text-content {padding-left:105px;}.ob_box_cont ul li .ob-text-content a {font:bold 12px/15px arial !important;}.ob_box_cont ul li .ob-rec-link-img a .ob_video {position:absolute; top:5px; left:5px;}Part of complete coverage on On the Road JapanExploring NaoshimaDecember 4, 2014 -- Updated 0900 GMT (1700 HKT)
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